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Arts religieux --- Religieuze kunst --- Christianity and art --- Icons --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Orthodox Eastern Church and art --- Orthodox Eastern Church --- Doctrines.
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Painting --- Dictionnaires --- Iconen --- Icônes --- Woordenboeken --- 75 --- #GBIB:SMM --- Schilderkunst --- Icons --- 75 Schilderkunst --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- 730 --- religieuze kunst --- ikonen --- Byzantijnse kunst --- schilder- en tekenkunst --- peinture et dessin
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"The Menil's collection of Byzantine and related icons is widely regarded as one of the most important in the United States. Comprising more than sixty works, many acquired by Dominique de Menil in 1985 from the noted British collector Eric Bradley, the group spans twelve hundred years, from the sixth to the eighteenth centuries, and encompasses a number of distinct cultures, including Greek, Balkan, and Russian. In this volume, the first publication to survey this diverse collection, leading scholars explore the history and meaning of these remarkable works, and their continuing power to surprise and impress. Orthodox Christianity developed in the Near East during the Byzantine Empire, in time yielding eleven autocephalous communions of which the Greek, Russian, Romanian, Serbian, and Bulgarian Orthodox churches are the largest today. Each maintained the tradition of icon painting rooted in Byzantium but inflected it in distinctive ways. Transcending time and place through a delicate balance of tradition and innovation, these images of saintly or divine figures were designed to imprint their holy subjects on the human mind. Though largely dismissed as backward by Renaissance and Enlightenment Europeans, icons captured the imagination of early modernist painters, and contemporary audiences appreciate them as aesthetic objects."--Back cover.
Icons --- Icons, Byzantine --- Icons, Russian --- Menil Collection (Houston, Tex.) --- Eikons --- Ikons --- Byzantine icons --- Menil Foundation Collection (Houston, Tex.) --- Menil Foundation. --- Exhibitions --- Christian art and symbolism --- Christian saints in art
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Painting --- Lebanon --- Icons --- Christian art and symbolism --- Eikons --- Ikons --- Christian saints in art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Symbolism in art --- Icons - Lebanon - Exhibitions --- Christian art and symbolism - Lebanon - Exhibitions
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Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.
Iconography --- Art --- anno 1400-1499 --- anno 1500-1599 --- Istanbul [city] --- Europe --- Art, Byzantine. --- Icons --- Renaissance. --- Art byzantin --- Icônes --- Renaissance --- Collectors and collecting --- Collectionneurs et collections --- Art, Byzantine --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Byzantine art --- Art, Medieval --- History --- Icônes --- Icons - Collectors and collecting - Europe
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This book contributes to the re-emerging field of ""theology through the arts"" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of ""reverse perspective"", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 's
Space and time in art. --- Espace et temps dans l'art --- Icônes --- Florenskii, P. A. --- Space and time in art --- Florenskiĭ, P. A. --- Icons --- Perspective --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Perspective. --- Icons. --- Icônes
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Mural painting and decoration [Medieval ] --- Syria --- Lebanon --- Christian art and symbolism --- Middle Ages, 500-1500 --- Icons --- Mural painting and decoration, Medieval --- Academic collection --- Eikons --- Ikons --- Christian saints in art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament
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This book, newly revised and updated, examines the Eastern Church's theology of icons chiefly on the basis of the acta of the Seventh Ecumenical Council of 787. The political circumstances leading to the outbreak of the iconclast controversy in the eighth century are discussed in detail, but the main emphasis is on the theological arguments and assumptions of the council participants. Major themes include the nature of tradition, the relationship between image and reality, and the place of christology. Ultimately the argument over icons was about the accessibility of the divine. Icons were held by the iconophiles to communicate a deifying grace which raised the believer to participation in the life of God.
Orthodox Eastern Church --- Doctrines --- Council of Nicaea (2nd : 787) --- Icons --- Cult --- History of doctrines --- Middle Ages, 500-1500 --- Image (Theology) --- Iconoclasm --- Iconoclasm. --- Idols and images --- Christian art and symbolism --- Communication --- Eikons --- Ikons --- Christian saints in art --- History --- Worship --- Religious aspects --- Christianity --- Doctrines. --- Council of Nicaea --- Concilio niceno --- Convegno niceno --- Council of Nicaea, --- Konzil von Nizäa
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Painting
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anno 1500-1799
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anno 1200-1499
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Transylvania
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Biography: 1200-1799
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Painting, Romanian
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Peinture roumaine
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History
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Dictionaries
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Romanian
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Histoire
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Dictionnaires roumains
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Icons
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Icon painters
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Art --- Russian [culture or style] --- icons [devotional images] --- Russian Federation --- Netherlands --- Painting --- Icons, Russian --- Icons --- Catalogs --- Collectors and collecting --- 7.033.2 --- #gsdbA --- -Icons, Russian --- -Russian icons --- Christian art and symbolism --- Eikons --- Ikons --- Christian saints in art --- Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- -Catalogs --- -Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- 7.033.2 Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- Russia --- -7.033.2 Kunst van Byzantium; Oud-Rusland; Oud-Armenie --- Russian icons --- Collectors and collecting&delete& --- Icons [Russian ] --- Exhibitions --- Icons, Russian - Russia, Northern - Catalogs --- Icons - Collectors and collecting - Netherlands - Catalogs
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