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Book
Etudes iconographiques
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ISBN: 287296004X Year: 1993 Publisher: Nethen Axios

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Book
Ikonen. Lexicon
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ISBN: 9058971821 Year: 2004 Publisher: Warnsveld Terra

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Imprinting the divine : Byzantine and Russian icons from the Menil collection
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ISBN: 9780300169683 030016968X Year: 2011 Publisher: New Haven, CT ; London Yale University Press

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"The Menil's collection of Byzantine and related icons is widely regarded as one of the most important in the United States. Comprising more than sixty works, many acquired by Dominique de Menil in 1985 from the noted British collector Eric Bradley, the group spans twelve hundred years, from the sixth to the eighteenth centuries, and encompasses a number of distinct cultures, including Greek, Balkan, and Russian. In this volume, the first publication to survey this diverse collection, leading scholars explore the history and meaning of these remarkable works, and their continuing power to surprise and impress. Orthodox Christianity developed in the Near East during the Byzantine Empire, in time yielding eleven autocephalous communions of which the Greek, Russian, Romanian, Serbian, and Bulgarian Orthodox churches are the largest today. Each maintained the tradition of icon painting rooted in Byzantium but inflected it in distinctive ways. Transcending time and place through a delicate balance of tradition and innovation, these images of saintly or divine figures were designed to imprint their holy subjects on the human mind. Though largely dismissed as backward by Renaissance and Enlightenment Europeans, icons captured the imagination of early modernist painters, and contemporary audiences appreciate them as aesthetic objects."--Back cover.

Icônes du Liban
Authors: --- --- --- ---
ISBN: 2879002990 9782879002996 Year: 1996 Publisher: Paris Gand Paris-Musées Snoeck Ducaju & Zoon


Book
Byzantine art and renaissance Europe
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ISBN: 9781409420385 9781315261041 9781351953856 9781138273870 1409420388 Year: 2013 Publisher: Aldershot [etc.] Ashgate

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Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.


Book
Space, time, and presence in the icon
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ISBN: 9780754667988 0754667987 9780754697381 075469738X 1315610175 1317051815 1282385305 9786612385308 9781315610177 9781317051800 9781317051817 9781282385306 Year: 2010 Publisher: Farnham, Surrey, England Burlington, VT Ashgate

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This book contributes to the re-emerging field of ""theology through the arts"" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of ""reverse perspective"", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 's


Book
Identity puzzles : Medieval Christian art in Syria and Lebanon
Authors: --- ---
ISBN: 9789042921498 Year: 2009 Publisher: Leuven Paris Walpole, MA Leuven Peeters Katholieke Universiteit Leuven. Departement Oosterse Studies

Images of the divine
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ISBN: 9004143289 9789004143289 9781429452915 1429452919 1280867868 9786610867868 9047407288 1433705087 Year: 2005 Publisher: Leiden Boston Brill

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This book, newly revised and updated, examines the Eastern Church's theology of icons chiefly on the basis of the acta of the Seventh Ecumenical Council of 787. The political circumstances leading to the outbreak of the iconclast controversy in the eighth century are discussed in detail, but the main emphasis is on the theological arguments and assumptions of the council participants. Major themes include the nature of tradition, the relationship between image and reality, and the place of christology. Ultimately the argument over icons was about the accessibility of the divine. Icons were held by the iconophiles to communicate a deifying grace which raised the believer to participation in the life of God.

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